Farnsworth House, Materials

The prompt

Using the Archi Automate MCP, render a materials board with render_view on [GPT Image 2.5 Sunburst], with [three crops of our renders of the house] as reference images, with this image prompt: A top-down flat lay studio photograph, camera looking straight down, of eight material samples for a mid-century glass and steel pavilion, laid on a matte warm light-grey paper backdrop. The samples are arranged in a calm, balanced, slightly asymmetric composition with generous even spacing; the travertine slab anchors the layout, the clear glass square overlaps one corner of the travertine so the stone shows through it with a soft reflection, the silk swatch lies loosely folded beside the woods, and the short steel offcut stands on its sawn end so its I-shaped profile faces straight up at the camera. The samples, each one a real physical object: a short sawn offcut of wide-flange steel I-section (an 8 inch column profile), painted smooth white with a restrained satin sheen, its cut end clearly showing the I-shaped profile of flanges and web, a thin line of bare grey steel at the sawn face, not plastic, not a plain block; the largest piece, a thick slab of honed pale warm Roman travertine, matte and not polished, not marble, cream and warm beige with soft natural banding and many small natural pits and holes in the surface, a cut 1 1/4 inch edge; a panel of primavera wood veneer, blond pale golden, with fine straight grain running vertically along its length; a smaller panel of teak veneer, clearly darker, warm honey-brown, straight grain; a square of 1/4 inch clear plate glass with polished edges that show a faint green tint; a small tile of smooth matte off-white plaster, cleanly cut; a strip of brushed stainless steel, light silver, with fine straight brushing lines; a loosely folded swatch of natural pale ivory silk curtain fabric with a soft slub weave and gentle folds. Soft directional studio light from the upper left, like a large softbox, with a gentle fill; real soft shadows and contact shadows under every sample. Macro-level texture is visible on every surface: the pits in the travertine, the wood grain, the weave of the silk, the brushing on the metal, the satin paint on the steel. Neutral, calm, true colour; photographed on a medium-format camera, sharp and detailed, a well-composed professional studio photograph of an architect's material board. The three attached images are material references taken from our own renders of the house. Use them only for the colour, tone and surface character of the materials: the first shows the white-painted steel frame, the clear glass, the pale silk curtain and the white enamel kitchen fronts; the second shows the darker teak and the honed travertine floor; the third shows the blond primavera veneer. Do not reproduce the house, the rooms, the trees, the floor joints or the views in them. The reference floor is a little too shiny: the travertine sample must be matte and honed. No text, no labels, no letters, no numbers, no logos, no tags or stickers. No furniture of any kind, no chairs, no daybeds, no tables, no leather, no cushions. No plants, no flowers, no props, no pens or tools, no house, no building, no architectural model, no room. Only the eight material samples on the backdrop.